Vinko Jelić
Domine Dominus noster (Parnassia militia, Strasbourg, 1622)
Sancti et justi (Parnassia militia, Strasbourg, 1622)

Johannes de Cleve
Alleluia, come to me (Cantiones sacrae, Augsburg, 1559)

Athanasius Jurjević
Written no. 8: Jesus tarpils for us (Write for the most important, most holy and cheerful days, Vienna, 1635)

Lambert de Sayve
Herodes rexiratus (New thesaurus musici, Venice, 1568)

Giovanni Priuli
Ave dulcissima Maria (Ghirlanda sacra, Venice, 1625)

Vinko Jelić
Bone Are (Parnassia militia, Strasbourg, 1622)
Ricercar tertio (Parnassia militia, Strasbourg, 1622)
- Audivi vocem (Parnassia militia, Strasbourg, 1622)

Ivan Lukačić
Domine, puer meus (Johann Donfrid, Promptuarii musici concentus ecclesiasticos, volume 3, Strasbourg, 1627)

Vinko Jelić
Ricercar quarto (Parnassia militia, Strasbourg, 1622)

Reimundo Ballestra
Salve æterni (Parnassus Musicus Ferdinandæus, Venice, 1615)

Within the association Croatian Music Centre, which was founded in 2003, since 2013 on the Croatian and international music scene there is a professional ensemble Projekt Lazarus , whose unusual name hides the main goal of this ensemble 's activities – the revitalization of Croatian musical heritage. The ensemble is specifically focused on presenting works that have not seen the light of day in modern history or are rarely performed, as well as those with a rare audio or video recording. In an effort to seize from oblivion the monuments of Croatian musical heritage, the musicians of the Lazarus Project perform works of late Renaissance, Baroque, but also modern, Croatian composers whose legacy is high-value and unique artistic achievements. The ensemble, led by Franjo Bilić, includes Daniel Peros (soprano), Nikolina Virgej Pintar (alto), Josip Čajko (tenor), Robert Palić (bass), Silvio Richter and Ivan Jakšeković (violins) and Dubravko Čepulić Polgar (organ).